Zelter was reluctant but eventually gave his approval; that of the Singakademie board followed.[29]. [15] The opening chorus, "Kommt, ihr Töchter, helft mir klagen" is also notable for the use of chorale cantus firmus, in which the soprano in ripieno crowns a colossal buildup of polyphonic and harmonic tension, singing a verse of "O Lamm Gottes, unschuldig". Bach." [27] One of the group was Eduard Devrient, a baritone and since 1820 one of the principal singers at the Berlin Royal Opera. The work is closed by a grand scale chorus in da capo form, choir I and II mostly in unison for the first part Wir setzen uns mit Tränen nieder (We sit down in tears), but in dialog in the middle section, choir II repeating "Ruhe sanfte, sanfte ruh!" Koor: Wo ist denn dein Freund hingegangen, Waar is uw vriend dan heengegaan, O du Schönste unter den Weibern ? 33 - So ist mein Jesus nun gefangen (chorus I) 33 - So ist mein Jesus nun gefangen (chorus II) 35 - O Mensch, bewein dein Sünde groß 36 - Ach, nun ist mein Jesus hin 38 - Mir hat die Welt trüglich gericht 42 - Und der Hohepriester antwortete (chorus I) 42 - Und der Hohepriester antwortete (chorus II) Riproduci i brani interamente da No. soloists sing arias, in most cases preceded by an accompagnato recitative, and occasionally in a dialogue with the choir. 49, "Aus Liebe will mein Heiland sterben", where the absence of strings and basso continuo mark a desperate loss of security. This page was last edited on 22 January 2021, at 16:19. 26) that he is betrayed by Judas' kiss and arrested. Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. It is there (No. In a great contrast of mood the preparation for the "Easter meal" (Osterlamm) is described (No. A number of passages for several speakers, called turba (crowd) parts, are sung by one of the two choirs or both. in the Aria. Stream ad-free or purchase CD's and MP3s now on Amazon.com. 27b) furiously demands against the Jews who arrested Jesus "Zertrümmre, verderbe, verschlinge, zerschelle/ Mit plötzlicher Wut/Den falschen Verräter, das mördrische Blut!" So my Jesus is now captured. nun ist mein Jesus hin!' [21] Specifically, in 1780, the Cantor, Doles, had three of Bach's Passions performed, assumed to include the St. John and St. Matthew, and "possibly the St. Kommt, ihr Töchter, helft mir klagen – O Lamm Gottes unschuldig (Chorus I & II – Cantus firmus by ripieno soprano choir), 29. They vote to crucify Jesus, Pilate gives in, washing his hands claiming his innocence, and delivers Jesus to torture and crucifixion. 33 Evangelist, Priest, False Witnesses: Und wiewohl viel fasche Zeugen hertzutraten. Ach! Tämän PNG-esikatselun koko koskien SVG-tiedostoa: 633 × 165 kuvapistettä. (My God, my God, why have you forsaken me? ), he is supposed to have called Elijah. Höre so viel Musik wie du möchtest auf deinem PC, Smartphone oder Tablet sowie Home-Entertainment-System. Bach's recitatives often set the mood for the particular passages by highlighting emotionally charged words such as "crucify", "kill", or "mourn" with chromatic melodies. ), Chorus I replying with den Bräutigam (the bridegroom – implying Christ). nun ist mein Jesus hin! Listen to Matthäus-Passion, BWV 244, Zweiter Teil: 30. "Bach's Chorus: A Preliminary Report. This is the version (with some possible later adjustments) that is generally known as the St Matthew Passion, BWV 244. 2. 36, Aria, 'Ach, nun ist mein Jesus hin' and Chorus, 'Wo ist denn dein Freund' von Various artists bei Amazon Music. In a third, on 18 April, Zelter conducted, and soon there were performances in Frankfurt (where a previously projected performance of the Passion had been upstaged by those in Berlin) and in Breslau and Stettin.[32]. Laßt ihn, haltet, bindet nicht! 27a) Jesus's arrest, the chorus make angry interjections (Laßt ihn, haltet, bindet nicht!). Genre: Sacred, Oratorio, Passion. In "Blute nur", the line about the serpent is set with a twisting melody. nun ist mein Jesus hin!“ (Johann Sebastian Bach) von Deutsch nach Italienisch On the other hand, George Balanchine staged it in 1943 with Stokowski conducting, and the Hamburg Ballet presented a Saint Matthew Passion under John Neumeier with Peter Schreier in 1981. Notable staged performances include Jonathan Miller's 1997 production in English. Opus: BWV 0244, 68 movements. 30 'Ach nun ist mein Jesu hin' di English Baroque Soloists sul tuo cellulare, computer o sistema audio di casa con Napster. En 1724, Bach offre avec sa Passion selon saint Jean la deuxième Passion-oratorio entendue à Leipzig. Wo ist denn dein Freund hingegangen, o du Schönste unter den Weibern? nun ist mein Jesus hin! Chorale: first stanza of Johann Heermann's "Herzliebster Jesu". While soprano and alto mourn (in duet, No. Even his last words are misunderstood. The St Matthew Passion was not heard in more or less its entirety outside Leipzig until 1829, when the twenty-year-old Felix Mendelssohn performed a version in Berlin, with the Berlin Singakademie, to great acclaim. ), are sung without this "halo". Part Two is opened by a dialog between the alto soloist deploring her lost Jesus and choir II offering help in searching for him, quoting Song of Songs 6:1 (Wo ist denn dein Freund hingegangen). Mt 26:57–60a 31. Other libretto sections came from publications by Salomo Franck and Barthold Heinrich Brockes.[14]. Wir verwenden Cookies und ähnliche Tools, um Ihr Einkaufserlebnis zu verbessern, um unsere Dienste anzubieten, um zu verstehen, wie die Kunden unsere Dienste nutzen, damit wir Verbesserungen vornehmen können, und um Werbung anzuzeigen. (2. Entdecken Sie Matthäus-Passion: Ach! BWV 009 Es ist das Heil uns kommen her. 4). hier zittert das gequälte Herz / Was ist die Ursach (I: Tenore; II: Chorus), (20) Aria: Ich will bei meinem Jesu wachen / So schlafen unsre Sünden ein (I: Tenore; II: Chorus), (21) Evangelista, Jesus: Und ging hin ein wenig (I: Tenore, Basso), (22) Recitativo: Der Heiland fällt vor seinem Vater nieder (II: Basso), (23) Aria: Gerne will ich mich bequemen (II: Basso), (24) Evangelista, Jesus: Und er kam zu seinen Jüngern (I: Tenore, Basso), (25) Choral: Was mein Gott will, das gscheh allzeit (I.II), (26) Evangelista, Jesus, Judas: Und er kam und fand sie aber schlafend (I: Tenore, Basso, Basso), (27a, b) Aria: So ist mein Jesus nun gefangen / Chori: Sind Blitze, sind Donner, (27a) Aria: So ist mein Jesus nun gefangen (I: Soprano, Alto, II: Chorus), (27b) Chori: Sind Blitze, sind Donner (I.II), (28) Evangelista, Jesus: Und siehe, einer aus denen (I: Tenore, Basso), (29) Choral: O Mensch, bewein dein Sünde groß (I.II, Soprano in ripieno), (30) Aria: Ach, nun ist mein Jesus hin (I: Alto; II: Chorus), (31) Evangelista: Die aber Jesum gegriffen hatten (I: Tenore), (32) Choral: Mir hat die Welt trüglich gericht’ (I.II), (33) Evangelista, Pontifex, Testis I, II: Und wiewohl viel falsche Zeugen herzutraten (I: Tenore, Basso; II: Alto, Tenore), (34) Recitativo: Mein Jesus schweigt zu falschen Lügen stille (II: Tenore), (36a, b) Evangelista, Pontifex, Jesus: Und der Hohepriester antwortete / Chori: Er ist des Todes schuldig, (36a) Evangelista, Pontifex, Jesus: Und der Hohepriester antwortete und sprach zu ihm (I: Tenore, Basso, Basso), (36b) Chori: Er ist des Todes schuldig (I.II), (36c, d) Evangelista: Da speieten sie aus / Chori: Weissage uns, Christe, (36c) Evangelista: Da speieten sie aus (I: Tenore), (36d) Chori: Weissage uns, Christe (I.II), (37) Choral: Wer hat dich so geschlagen (I.II), (38a) Evangelista, Ancilla I, II, Petrus: Petrus aber saß draußen im Palast (I: Tenore, Soprano, Soprano, Basso), (38b, c) Chorus: Wahrlich, du bist auch einer von denen / Evangelista, Petrus: Da hub er an, sich zu verfluchen, (38b) Chorus: Wahrlich, du bist auch einer von denen (II), (38c) Evangelista, Petrus: Da hub er an, sich zu verfluchen (I: Tenore, Basso), (40) Choral: Bin ich gleich von dir gewichen (I.II), (41a, b) Evangelista, Judas: Des Morgens aber / Chori: Was gehet uns das an, (41a) Evangelista, Judas: Des Morgens aber hielten alle Hohepriester (I: Tenore, Basso), (41c) Evangelista, Pontifex I, II: Und er warf die Silberlinge in den Tempel (I: Tenore, Basso, Basso), (42) Aria: Gebt mir meinen Jesum wieder (II: Basso), (43) Evangelista, Pilatus, Jesus: Sie hielten aber einen Rat (I: Tenore, Basso, Basso), (44) Choral: Befiehl du deine Wege (I.II), (45a, b) Evangelista, Pilatus, Uxor Pilati, Chori: Auf das Fest aber / Barrabam! The following day (No. Ach mein Jesu, sieh, ich trete, da der Tag nunmehr sich neigt und die Finsternis sich zeigt, hin zu deinem Thron und bete. Písňové texty a překlad: Johann Sebastian Bach - BWV 244 Matthäus Passion 30 Ach! Übersetzung des Liedes „BWV 244 Matthäus Passion 30 Ach! The oldest chorale Bach used in the St Matthew Passion dates from 1525. [24] He had been hired to teach music theory to both Felix Mendelssohn and his sister Fanny. 2: No. nun ist mein Jesus hin", a song by Andreas Scholl on TIDAL [4] The performance took place in the St. Thomas Church (Thomaskirche) in Leipzig. As in other Passion oratorios the backbone of the structure is the narration of the Gospel, in this case chapters 26 and 27 of the Gospel of Matthew in the German translation of the Luther Bible. 31. Ach ! Devrient was especially enthusiastic, hoping to sing the part of Jesus as he eventually did. Ach, nun ist mein Jesus hin. 30, Ach, nun ist mein Jesus hin by Bach-Collegium Stuttgart, Gächinger Kantorei and Unknown Artist on Amazon Music. Nun ist mein Jesus hin (Alto, Chorus) von Ernst Haefliger bei Amazon Music. 36. 66) officials remind Pilate of the talk of resurrection and ask for guards and a seal for the grave to prevent fraud. 30 Aria: Ach, nun ist mein Jesus Hin. Picander wrote text for recitatives and arias, and for the large scale choral movements that open and close the Passion. ", The narration follows Jesus' instructions for securing the upper room for Passover, and the beginning of the Last Supper. Nun ist mein Jesus hin! Werbefrei streamen oder als CD und MP3 kaufen bei Amazon.de. Appreciation, performance and study of Bach's composition have persisted into the present era. In 1725 Christian Friedrich Henrici, a Leipzig poet who used Picander as his pen name, had published Erbauliche Gedanken auf den Grünen Donnerstag und Charfreytag ("Edifying Thoughts on Maundy Thursday and Good Friday"), containing free verse suitable for a Passion presentation in addition to the Gospel text. Ist es möglich, kann ich schauen? – See the endurance) and ultimately Seht — Wohin? The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724. Additionally, Song of Songs 6:1 is used in the opening aria (with chorus) of Part Two (No. nun ist mein Jesus hin! Part Two is opened by a dialog between the alto soloist deploring her lost Jesus and choir II offering help in searching for him, quoting Song of Songs 6:1 (Wo ist denn dein Freund hingegangen). 1. Zelter had a supply of J. S. Bach scores and was an admirer of Bach's music but he was reluctant to undertake public performances. Níže najdete písňové texty s překladem po straně! — seht die Geduld (See it! Alt: Ist es möglich, kann ich schauen ? Übersetzung des Liedes „BWV 244 Matthäus Passion 30 Ach! by Johann Sebastian Bach from German to French ", In the arias, obbligato instruments are equal partners with the voices, as was customary in late Baroque arias. Check out Ach, nun ist mein Jesus hin! After the meal they go together to the Mount of Olives (No. Check out Matthäus-Passion, BWV 244, Pt. 62, "tear me from my fears / through your own fear and pain." 1727 sacred oratorio by Johann Sebastian Bach, Versions and contemporaneous performances, First version (BWV 244.1, previously 244b), Funeral cantata for Köthen (BWV 1143, previously 244a), Passion performances in the St. Thomas Church, Later revisions and performances (BWV 244.2, previously 244), Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Klagt, Kinder, klagt es aller Welt, BWV 244a, St Matthew Passion structure § Numbering of the movements, List of chorale harmonisations by Johann Sebastian Bach § BWV 244–244b, Learn how and when to remove this template message. The word Herr appears 11 times, once for each disciple except Judas Iscariot. After a few words of introduction by the Evangelist, the first words of Christ, set as an accompagnato recitative with slow strings, contain an ominous prediction of his imminent fate. Nun Ist Mein Jesus Hin (Contralto, Chorus) by Karl Erb, 5 Shazams. -Wo hat sich dein Freund hingewandt?-Vers où ton ami s'est-il tourné ? Title: Matthäus-Passion [St Matthew Passion] BWV 244 Upon Jesus' declaration that one of the twelve will betray him in 9d, they ask him "Lord, is it I?" 1. (Whom? This is by far the most unusually chromatic setting of this chorale tune (Befiehl du deine Wege/O Haupt, voll Blut und Wunden) found in the Passion, occurring at the high point of intensity at the death of Jesus. Part II opens with an aria, Ach! 1730 – he reverted to the originally composed "Herr, unser Herrscher" there). Dein Jesus lebt, es hat kein Not, er ist noch bei den Schwachen und den Geringen in der Welt als ein gekrönter Siegesheld; drum wirst du überwinden. nun ist mein Jesus hin ! In the 1727/1729 version, the soloist is a bass. In the revision of 1743–1746, it is also these words (the Vox Christi) that receive a sustained continuo part. In many arias a solo instrument or more create a specific mood, such as the central soprano aria No. The bass aria No. Teil) 31. The Evangelist, a tenor voice, sings the Gospel text in a declamatory style called secco recitative, that is, with only a continuo accompaniment. Ach mein Jesu, sieh, ich trete, da der Tag nunmehr sich neigt und die Finsternis sich zeigt, hin zu deinem Thron und bete. Trois ans plus tard, il compose la Passion selon saint Matthieu, aux proportions encore plus monumentales. Wählen Sie Ihre Cookie-Einstellungen. Dateiversionen. [citation needed] In all prior versions (1727/1729, 1736, and 1742), the continuo part was sustained in all recitatives. St. Matthew describes the tearing of the Temple curtain and an earthquake – set to music by Bach. La bibliothèque numérique de la Philharmonie; Ecoutez, regardez, découvrez plus de 60 000 références parmi les archives numériques musicales de la Philharmonie : concerts audio et vidéo, conférences, guides d’écoutes multimédias… [20] This also marks the completion of Bach's gradual emptying out of the key signature in subsequent settings of this tune: No. que les fidèles avaient découverte en 1721 seulement, avec la Passion selon saint Marc de son prédécesseur Johann Ku- hnau. Instruments: Double orchestra: First published: 1894 in Bach-Gesellschaft Ausgabe, Band 41 For practical reasons the continuo organ is often shared and played with both orchestras. (2. O Mensch, bewein dein Sünde groß (Chorale fatasie, text by Sebald Heyden) [1727/1729 version: "Jesum lass ich nicht von mir"; 1742 and 1743–1746 versions: ripieno soprano choir added to soprano line], 68. a soprano voice sings the words spoken by Pontius Pilate's wife), except for: Apart from the Evangelist and the Vox Christi the dramatis personae of these Gospel sections of the St Matthew Passion consists of: In between the sections or scenes of the Gospel text, other texts are sung as a meditation or underlining the action, in a variety of formats: In the scheme below indentation indicates the type of movement: 1. Entdecken Sie Matthäus-Passion, BWV 244, Pt. In a dramatic highpoint of the Passion,[17][18] the chorus (No. Na naší stránce najdete taky mnohem víc písňových překladů od Johann Sebastian Bach! 1: No. 54 has one flat (D minor), and No. [20], In the 1727/1729 version without music and text "Es dient zu meinem Freude", Recitative (with Chorus II: Was ist die Ursach aller solcher Plagen?) De álbum "Bach, J.S. Mond und Licht Moon and light Ist vor Schmerzen untergangen, have set in sorrow, Weil mein Jesus ist gefangen. The narration of the Gospel texts is sung by the tenor Evangelist in secco recitative accompanied only by continuo. 37) where two witnesses report Jesus having spoken about destroying the Temple and building it again in three days. Entdecken Sie Ach, nun ist mein Jesu hin (Live) von Tango Extremo, Jan Rot, Pearl Jozefzoon & Job Hubatka bei Amazon Music. Little is known with certainty about the creation process of the St Matthew Passion. "[26], In 1827, Felix and a few friends began weekly sessions to rehearse the Passion. "), choir I reflecting: "Your grave and headstone shall, for the anxious conscience, be a comfortable pillow and the resting place for the soul. Ach, mein Lamm in Tigerklauen, ach, wo ist mein Jesus hin? A scene in Bethany (No. Vom Album „Matthäuspassion, BWV 244“ von Muenchener Bach-Chor auf Napster and Aria (with Chorus II: Ich will bei meinem Jesu wachen) for tenor, Aria for soprano and alto (with Chorus II: Laßt ihn, haltet, bindet nicht!) Choir II consists of SATB voices, violin I, violin II, viola, viola da gamba, cello, two traversos, two oboes (d'amore) and possibly continuo. Jesus is often referred to as "my Jesus". St. Matthew Passion, BWV 244: Part II: Aria: Ach! These sections are based nearly exclusively on texts by. Part I is closed by a four-part Chorale Fantasia (both choirs) on the chorale O Mensch, bewein dein Sünde groß (O mankind, mourn your great sins), recapitulating that Jesus was born of the Virgin to "become the intercessor". Koor: Wo hat sich dein Freund hingewandt ? Ach, nun ist mein Jesus hin! 3–479, Autograph score in the Berlin State Library (Staatsbibliothek zu Berlin), International Music Score Library Project, Translation to many languages, commentary, musical examples, list of recordings, The Passion according to Saint Matthew BWV 244, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_Matthew_Passion&oldid=1002049868, Passions and oratorios by Johann Sebastian Bach, Articles needing additional references from April 2017, All articles needing additional references, Articles with unsourced statements from July 2015, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. "Weissage uns, Christe") and sometimes sing together ("Herr, wir haben gedacht"). nun ist mein Jesus hin 31.Recitative (Evangelist): Die aber Jesum gegriffen hatten 32.Chorale: Mir hat die Welt trüglich gerricht' 33.Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten 34.Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille Part Two uses Matthew 26:57–75 and Matthew 27:1–66. "[30] The two main schemes in use today are the scheme from the Neue Bach-Ausgabe (NBA, New Bach Edition) which uses a 1 through 68 numbering system, and the older Bach-Werke-Verzeichnis (BWV, Bach Works Catalog) scheme which divides the work into 78 numbers. Chorales. Do álbum "Bach, J.S. 6, "Buß und Reu", portrays a desire to anoint Jesus with her tears out of remorse. Aria (Alto) "Ach! [23] Carl Friedrich Zelter had been head of the Sing-Akademie since 1800. ... BWV 022 Jesus nahm zu sich die Zwölfe. He dies. Both use lettered subsections in some cases. Hörprobe Track 31: Evangelist: Die aber Jesum gegriffen hatten Evangelist: Die aber Jesum gegriffen hatten 32. Bach used the hymns in different ways, … (1) Chorus: Kommt, ihr Töchter, helft mir klagen (I.II, Soprano in ripieno), (2) Evangelista, Jesus: Da Jesus diese Rede vollendet hatte (I: Tenore, Basso), (3) Choral: Herzliebster Jesu, was hast du verbrochen (I.II), (4a) Evangelista: Da versammleten sich die Hohenpriester (I: Tenore), (4c) Evangelista: Da nun Jesus war zu Bethanien (I: Tenore), (4d) Chorus: Wozu dienet dieser Unrat (I), (4e) Evangelista, Jesus: Da das Jesus merkete (I: Tenore, Basso), (5) Recitativo: Du lieber Heiland du (I: Alto), (7) Evangelista, Judas: Da ging hin der Zwölfen einer (I: Tenore, Basso), (8) Aria: Blute nur, du liebes Herz (II: Soprano), (9a) Evangelista: Aber am ersten Tage der süßen Brot (I: Tenore), (9b) Chorus: Wo willst du, daß wir dir bereiten (I), (9c–e) Evangelista, Jesus: Er sprach: Gehet hin in die Stadt / Chorus: Herr, bin ichs, (9c) Evangelista, Jesus: Er sprach: Gehet hin in die Stadt (I: Tenore, Basso), (9d) Evangelista: Und sie wurden sehr betrübt (I: Tenore), (10) Choral: Ich bins, ich sollte büßen (I.II), (11) Evangelista, Jesus, Judas: Er antwortete und sprach (I: Tenore, Basso, Basso), (12) Recitativo: Wiewohl mein Herz in Tränen schwimmt (I: Soprano), (13) Aria: Ich will dir mein Herze schenken (I: Soprano), (14) Evangelista, Jesus: Und da sie den Lobgesang gesprochen hatten (I: Tenore, Basso), (15) Choral: Erkenne mich, mein Hüter (I.II), (16) Evangelista, Jesus, Petrus: Petrus aber antwortete und sprach zu ihm (I: Tenore, Basso, Basso), (17) Choral: Ich will hier bei dir stehen (I.II), (18) Evangelista, Jesus: Da kam Jesus mit ihnen zu einem Hofe (I: Tenore, Basso), (19) Recitativo: O Schmerz! Oefen -36- Ach nun ist mein Jesus hin van Johann Sebastian Bach. (Lord, is it I?) You have no items in your shopping cart. … Wo ist denn dein Freund" (Alto, Chorus 2) von Otto Klemperer/Philharmonia Choir/Philharmonia Orchestra bei Amazon Music.

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